Celebrating the 2026 TCM race weekend, the poster tells the race’s story through iconography and an imperfect, block-printed style.

Twin Cities Marathon Poster

Twin Cities Marathon poster designed and hand-printed as an edition of 31

Organization: Twin Cities in Motion

Edition of 31
Block printed in Caligo Safewash Ink on French Paper 60 lb cover
Printed using a homebuilt press and a Jeep Gladiator

Role: Designer

Challenge: Create an original 18 ×24 in. poster celebrating the Twin Cities Marathon that captured the spirit of the race and sense of place.

Solution: A hand-carved, hand-printed linocut poster built around “26.2,” incorporating illustrations inspired by the marathon course, Twin Cities landmarks, and the visual language of running.

Close-up of Twin Cities Marathon poster showing hand-printed illustration and linocut texture
Detail of Twin Cities Marathon poster featuring illustrated running gear and Twin Cities imagery

A little press for the poster

Featured in the Star Tribune
Artists get a running start on creativity | John Rash

I was selected to participate in the 26.2 Poster Show, an annual exhibition featuring original posters created by local artists and designers. With a wide brief, I was able to stretch my legs creatively and combine my graphic design skills with an exploration of larger-scale printmaking.

I had lots of iterations early in the process before landing on the approach I wanted to take: telling the story of the race through iconography of things a runner might encounter along the course. The “26.2” is the focal point, with each number filled with illustrations that reference the race, the Twin Cities, and the experience of running it.

During the design process, there were many iterations and tests. Once the design was finalized, I transferred it to a block of linoleum and carved it by hand. The printing process had its own set of challenges, and with the help of my father, we built a press that we could drive over to achieve consistent pressure.

Printing an edition of 31 meant finding a balance between the imperfections of lino printing and the consistency of an edition. Variations in ink coverage, pressure, and texture became part of the final character of the posters rather than something to eliminate entirely.


The Process

Sketching | Digital Design | Testing | Transferring | Carving | Inking | Printing | Drying | Trimming | Editioning | Delivery

Test of Carved linocut block for the Twin Cities Marathon poster
Test of illustrated Twin Cities Marathon poster imagery featuring running and Twin Cities landmarks
Carved linoleum block showing the full Twin Cities Marathon poster design before printing
Close-up of the hand-printed Twin Cities Marathon poster showing illustrated landmarks and typography
Animated process of digital illustration for the Twin Cities Marathon poster featuring illustrated race imagery
Some Twin Cities Marathon poster concept sketches exploring typography, landmarks, and race imagery
Multiple prints from the Twin Cities Marathon poster edition arranged in rows
Repeated prints of the Twin Cities Marathon poster showing variations in ink coverage and texture